The details
Three wide, super-soft goat-hair hake brushes for laying big, even washes quickly.
- Set of 3, 25mm, 45mm and 75mm
- Natural goat hair: very soft, very absorbent, for a light touch other brushes can’t manage
- Bristles bound with threaded copper wire on a split shank, far more resistant to hair loss than typical hakes
- Natural wooden handle with a hanging hole for drying
- Also suits ink wash, varnishing, gilding, ceramic glazing and surface preparation
The width covers a sky or a background in a few passes rather than twenty, and the softness lets you wet and re-wet a surface without lifting the layer underneath, the thing that usually ruins a wash.
Each brush is handmade using traditional methods. The copper-bound head is the detail that matters day to day: you are not picking stray hairs out of wet paint.
Why it’s made this way
Everything we sell is chosen by a family of working artists in Arundel, West Sussex, picked because we’d use it ourselves, fairly priced, and backed by our 60-day free returns. If it doesn’t make painting easier, it doesn’t make the range.
Meet the family behind the boutiqueThe craft
Brushes this good deserve
to last decades
Rinse the same day
Pigment left overnight stiffens the belly of a brush, lukewarm water and a drop of mild soap keeps sable soft for years.
Reshape while damp
Draw the head to a point between finger and thumb and let it dry flat, never bristles-down in a jar.
Store dry, roll for travel
A canvas roll keeps ferrules dry and tips protected, it’s why we gift one with our kits.
Never let paint reach the ferrule
Load the belly, not the base. Dried paint under the metal splays the head permanently, the most common way a good brush dies.
Mix with an old brush
Keep one retired round for stirring and palette work; your fine tips stay fine for the marks that matter.










