The details
Three traditional ‘White Cloud’ brushes for ink, calligraphy and watercolour, small, medium and large.
- Set of 3, small, medium and large, each with its own brush protector
- ‘White Cloud’ construction: a firm hog-hair core wrapped in softer, more absorbent white goat hair
- Bamboo handle with a hanging loop for drying and storage
- Suits Chinese and Japanese calligraphy, ink drawing, watercolour and gouache
The hog-hair core gives you the backbone to hold a line steady, while the goat-hair outer carries enough ink to finish the stroke without going back to the well, so a line stays even from start to finish instead of thinning out halfway.
Three sizes in one purchase covers fine character work through to broad washes, so there is nothing else to buy before you start.
Why it’s made this way
Everything we sell is chosen by a family of working artists in Arundel, West Sussex, picked because we’d use it ourselves, fairly priced, and backed by our 60-day free returns. If it doesn’t make painting easier, it doesn’t make the range.
Meet the family behind the boutiqueThe craft
Brushes this good deserve
to last decades
Rinse the same day
Pigment left overnight stiffens the belly of a brush, lukewarm water and a drop of mild soap keeps sable soft for years.
Reshape while damp
Draw the head to a point between finger and thumb and let it dry flat, never bristles-down in a jar.
Store dry, roll for travel
A canvas roll keeps ferrules dry and tips protected, it’s why we gift one with our kits.
Never let paint reach the ferrule
Load the belly, not the base. Dried paint under the metal splays the head permanently, the most common way a good brush dies.
Mix with an old brush
Keep one retired round for stirring and palette work; your fine tips stay fine for the marks that matter.










